An analysis of symbolism in citizen kane

Inhe declined offers from David O. Schaefer wanted to work with Welles after the notorious broadcast, believing that Welles had a gift for attracting mass attention. At first he simply wanted to spend three months in Hollywood and earn enough money to pay his debts and fund his next theatrical season. This legendary contract stipulated that Welles would act in, direct, produce and write two films.

An analysis of symbolism in citizen kane

Symbols Sleds Two sleds appear in Citizen Kane. In this sense, the sled serves as a barrier between his carefree youth and the responsibilities of adulthood and marks a turning point in the development of his character.

Later, Thatcher gives Kane another sled, this one named Crusader—aptly named, since Kane will spend his early adulthood on a vengeful crusade against Thatcher. For the second time, Kane uses a sled or in this case, the idea it represents as a weapon against the man he sees as an oppressive force, but unlike Rosebud, Crusader carries no suggestion of innocence.

Reportedly, the idea of using the plot device of Rosebud came from writer Herman Mankiewicz. The story goes that he had a bicycle he adored as a child, and he never really recovered when it was stolen. Welles always thought it was a rather cheap idea, but he went along with it because it was an easy way to simplify the plot line.

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The snow globe also associates these qualities with Susan. Kane sees the snow globe for the first time when he meets Susan. In his mind, Susan and his mother become linked. Susan eventually leaves him, just as his mother did, and her departure likewise devastates him.

Just as his mother abandoned him once, Susan has abandoned him now, and Kane is powerless to bring back either one. Statues Kane repeatedly fails in his attempts to control the people in his life, which perhaps explains his obsession with collecting statues and the appearance of statues throughout the film, since statues can be easily manipulated.

Thatcher, threatening and oppressive when alive, is harmless as a large, imposing statue outside the bank where his memoirs are housed. When Kane travels to Europe, he collects so many statues that he begins to acquire duplicates, even though Bernstein has begged him not to buy any more.

For Kane, statues are nothing more than images of people, easily controlled—he can place them where he wants and even ignore them if he chooses.

An analysis of symbolism in citizen kane

Over his statues, Kane has power:Citizen Kane has long been acclaimed as a work of genius and endlessly dissected by critics. But a mystery still lies at the heart of this masterpiece. Citizen Kane is a American mystery drama film by Orson Welles, its producer, co-screenwriter, In testimony for the Lundberg suit, Mankiewicz said, "I had undergone psycho-analysis, and Rosebud, under circumstances slightly resembling the circumstances in [Citizen Kane].

Get all the details on Citizen Kane: The Inquirer. Description, analysis, and more, so you can understand the ins and outs of Citizen Kane. Citizen Kane Film Analysis – Critique Jed Leland, for many years a close associate of Charles Foster Kane, provides in the eyes of a contemporary anecdotes of his own perception of Kane, vastly differing from the accounts of .

- Historical Analysis, Citizen Kane: Camera Movement Citizen Kane, directed by Orson Welles, was an exemplary and ground-breaking work. In narrative structure and film style, Welles challenged classical Hollywood conventions and opened a path for experimentation in the later s.

The fresh, sophisticated, and classic masterpiece, Citizen Kane (), is probably the world's most famous and highly-rated film, with its many remarkable scenes and performances, cinematic and narrative techniques and experimental innovations (in photography, editing, and sound).

Its director.

Central ideas, symbols, & film techniques of "Citizen Kane" | HubPages