Creative essay watching paint dry

Get Full Essay Get access to this section to get all help you need with your essay and educational issues. I quickly got started and finished the job in just an hour. Is it really boring watching paint dry?

Creative essay watching paint dry

An Essay by Jim Cogswell Paint is a living language for me, with grammars and nuances that challenge me beyond any other intellectual or creative pursuit that I have ever experienced.

For some people paint is simply a material, another medium, and a very traditional medium at that. For others it is the Bible — the Holy Writ. Or it is the Constitution. Divine what the Founding Fathers intended and strictly adhere to it, or risk anarchy.

Creative essay watching paint dry

For others, it is one minor piece in a complicated art world chess game, a pawn to be moved about in a theoretical construct of art practice. For me, painting as a language and practice is alive and changing all the time. I try to keep up with it. I struggle to speak it better.

I am thrilled when I hear others speak it well. I love visiting countries where it is spoken. I get excited when I discover someone who is adding another layer to its tapestry of possibilities.

And that is happening all the time. A balanced experience of absorption and self-awareness. A painting is both a tangible surface and a perceptual space. Great painters create fluctuating tensions between the experience of seeing surface and depth.

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The task of doing that well is mammoth. All of it is accomplished within a tight range of restrictions. The restrictions are the source of the poetry and the thrill.

There are many strategies for keeping the viewer in that delicate balance of seeing the painting as both window and surface. A big issue is how to translate the materiality of paint into something that points beyond itself.

Allowing the inspirational source itself to provide the gesture while acknowledging the illusion. The tension is the thrill. Within a painting, color has the capacity to become a noun, one might even say a concept in itself.

Color becomes magical and potent when it crosses that threshold from adjective to noun, from quality of thing to thing in itself. All of these strategies and many more work in tandem with our desire to recognize objects or qualities of experiences, even intangible feelings, within that structure of colored marks on a surface.

Those desires are closely tied to our perceptual experiences, ways that the brain is hard wired but also shaped by cultural context, historical exposure. Looking at a painting is a magnificently dense experience for me.The tools you need to write a quality essay or term paper; Saved Essays.

You Have Not Saved Any Essays. There are several types of paints an artist can use to achieve their creative pieces of work. Three specific kinds of paint include oil paint, watercolor, and tempera paint..

Oil paint, like all paint, consists of dry pigment, which is /5(2). Watching Paint Dry Essay Sample. I woke up early that fateful morning. It wasn’t any ordinary day; it was the day I finally repaint my room! I was so excited that I didn’t even have breakfast, maybe that’s what caused my unplanned “trip”.

Sample Narrative Essay. Granny. As I glanced past the lit Christmas tree in the window, I could see endless rain pouring down and splashing into the large puddles that now filled the road outside my grandparents’ home.

Nov 26,  · Jack said this job was as boring as "watching paint dry!" I wonder if he ever really saw the paint in the first place? As for me, I can't wait to watch that paint dry again, Last night as I watched it drying I was a 'Constable' but tonight, I've decided I'm going to go watch the paint dry with a painter called 'Constable' and I can't wait!Reviews: Watching Paint Dry features art history essays, articles on objects in history, thoughts on artists, and other observations about history involving art or culture.

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If you are interested in writing an essay for Watching Paint Dry’s “Featured Content”, please . All poems and essays are works of the imagination.

While the perceptions and insights are based on the authors' experiences, no reference to any real person is intended or should be inferred. The views expressed on this website may not necessarily reflect the views of Rattle or of the Rattle Foundation.

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